No, the ongoing dispute within the Maran family, specifically between Kalanithi Maran and his sister-in-law, is unlikely to directly affect the Allu Arjun-Atlee project. While Kalanithi Maran's Sun Pictures is producing the film, the project is primarily driven by the creative vision of Atlee and Allu Arjun, and the financial backing of Sun Pictures. The dispute is more of a family matter and shouldn't impact the film's production or release.
Here's why:
- Sun Pictures, as a production house, is a separate entity from the personal lives of the Maran family members.
- Both Atlee and Allu Arjun are focused on delivering a high-quality film, and the project is in a crucial stage of pre-production with significant investments already.
- Kalanithi Maran, as the producer, is responsible for the financial and logistical aspects of the film, and his involvement is likely to continue regardless of the family situation.
- There's no indication that the family dispute will directly interfere with the film's production, casting, or release.
In conclusion, while the Maran family dispute is a sensitive issue, it's not expected to impact the Allu Arjun-Atlee project, which is progressing as planned with the support of Sun Pictures.
After extensive pre-production work, the team of Allu Arjun and director Atlee's next ,AA22XA6, have commenced shooting for the film in Mumbai, recently. The shoot is presently progressing briskly and in a demanding stretch; the schedule is expected to continue till the end of the month reports FilmFare.com.
LA team to monitor action sequences!
Director Atlee and his team have planned to shoot intense action sequences on Allu Arjun in the schedule. In fact, large-scale stunts, histrionic moments, and emotionally intense scenes are part of the schedule. A special team had flown in from Los Angeles to monitor the action sequences. The team that was also part of the previsualization would later enhance the emotional quotient and visual experience of the action sequences in VFX.
A source informs, “The film deals with catastrophic events, giving film lovers an adrenaline rush they crave for. Most of the action sequences are being shot in a studio to facilitate VFX Scenes include motion-captured animation, surprised encounters, dynamic runs, jumps, climbs and falls thereby turning the content into stunning cinematic reality.” AI-driven VFX, histrionics, real-time rendering and virtual production in Allu Arjun-Atlee’s film are set to unveil a new dimension of filmmaking on Indian silver screens. VFX will be the cornerstone of Atlee's cinematic storytelling.
Director Atlee and his team have planned to shoot intense action sequences on Allu Arjun in the schedule. In fact, large-scale stunts, histrionic moments, and emotionally intense scenes are part of the schedule. A special team had flown in from Los Angeles to monitor the action sequences. The team that was also part of the previsualization would later enhance the emotional quotient and visual experience of the action sequences in VFX.
A source informs, “The film deals with catastrophic events, giving film lovers an adrenaline rush they crave for. Most of the action sequences are being shot in a studio to facilitate VFX Scenes include motion-captured animation, surprised encounters, dynamic runs, jumps, climbs and falls thereby turning the content into stunning cinematic reality.” AI-driven VFX, histrionics, real-time rendering and virtual production in Allu Arjun-Atlee’s film are set to unveil a new dimension of filmmaking on Indian silver screens. VFX will be the cornerstone of Atlee's cinematic storytelling.
Shares of Sun TV Network Ltd declined on Friday following an alleged feud between the Maran brothers over the media company's shareholding. The stock tanked 5.21 per cent to hit a day low of Rs 581.55.
DMK MP Dayanidhi Maran has reportedly served a legal notice to his elder brother, Kalanithi Maran — Chairman and Managing Director of Sun TV Network — accusing him of fraudulently taking control of the group after the death of their father, Murasoli Maran, in 2003.
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