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Showing posts with label Shobana. Show all posts
Showing posts with label Shobana. Show all posts

After Yaro Yarodi now Jinguchaa- Vaishali rocks / Thudarm Ending and Vijay sethupathi role


 

Marathi singer Vaishali Samant’s recent feat—25 years after singing Yaro yarodi in Ratnam’s much-loved Tamil film, Alaipayuthey (2000), she has reunited with the filmmaker and A R Rahman for a Tamil film again.  She has crooned Jinguchaa for the upcoming movie, Thug Life.   Tamil song credits the singers are Vaishali Samant, Shakthisree Gopalan & Adithya RK.The Hindi version of the song brings fresh vocal firepower to .. Sukhwinder Singh, Ronkini Gupta, Aashima Mahajan, and Vaisha li Samant...
It comes as another hit for Samant after Aaya re toofan from Chhaava earlier this year. She reveals that it was during the recording of the Chhaava number, also composed by Rahman, that the maestro suggested she sing Tamil songs again. Months later, she was in the studio, singing Jinguchaa. To Samant, working with Rahman is like “enrolling into a university.” “Every language carries its own cultural charm. With Jinguchaa, it was a challenge to pronounce the words like a Tamil native. In a day and age where voices come and go, Rahman sir adds the punch that makes a song stand the test of time. I hope we can continue working together for the next 25 years too.”

Thudarum Ending explained l What is Vijay Sethupathi role in it ?

Mohanlal’s character, Shanmughan alias Benz, was a stunt artist, and Vijay Sethupathi’s character, Anbu, was his colleague. Unfortunately, during an accident, in a bid to save Benz, Anbu dies. Shobana’s character, Lalitha, was Anbu’s wife, and together they had a 4-year-old son named Pavi, who eventually grows up and is portrayed by Thomas Mathew.

Following Anbu’s death, Benz marries Lalitha, taking on the role of Pavi’s stepfather. The family chooses to leave Tamil Nadu, since the stunt artists involved in the accident that claimed Anbu’s life were blacklisted. As a farewell gesture, Benz’s employer, the fight master, gifts him a black Ambassador car, which Benz continues to use for his work. Eventually, Benz and Lalitha welcome a daughter into their family.

Decades have passed, and Pavi is now in his college years. He is in love with Mary George, portrayed by Aarsha Chandini Baiju, but her father, George, played by Prakash Varma, is against this relationship.

A minor incident changes Benz’s life forever. The Ambassador was seized during a routine vehicle check conducted by the police for transporting narcotics. Benz wasn’t transporting narcotics; he had given the vehicle to a service center, and the mechanic, while in his custody, transported the narcotics. When Sub Inspector Benny apprehended him in a bid to escape, the mechanic beat him up. As a result, the vehicle was seized and held at the police station, and Benz was informed that the vehicle would only be released once the police got their hands on the mechanic.

One night, Pavi is taken to the police station, where George is the station house officer. There, he and his subordinate, Sub Inspector Benny, portrayed by Binu Pappu, kill Pavi for being in love with George’s daughter and threatening to reveal some of George’s secrets. Afterwards, the dead body is stuffed into Benz’s black Ambassador car.

That same night, after Pavi’s tragic death, Benz visits the police station to ask George to release his vehicle. George agrees and instructs Benny to return the car. However, Benny initially hesitates, as George isn’t aware of the body still being inside. Benny then informs George that the body is still in the car. Later, George decides to hire Benz’s Ambassador as a taxi to attend a colleague’s sister’s pre-marriage party.

Upon arriving at the event location, Benny takes the key to the Ambassador from Benz. After some time, Benz is instructed to drive them to a remote area deep in the jungle. Initially hesitant, Benz reluctantly agrees. During the journey, tension builds between him, George, and Benny. The colleague, whose sister was about to get married the following day, is also present in the vehicle.

As they drive, George reveals a chilling information: there is a dead body in the car, that of a young man who had been involved with the bride. They killed him because he had compromising videos of her.

With no choice but to comply, Benz follows their orders. After disposing of the body, he returns home. When he checks the boot of the car, he finds blood and a wallet. In his panic, as the dog barks, he accidentally throws the wallet into the bushes. Distraught, he forgets about it and cleans the car, trying to return to his normal life.

Benz soon realizes that his son is missing, and an investigation begins, raising suspicions in his mind—especially when he notices his son’s Pulsar bike at the police station. That night, Benz decides to search for the wallet he had thrown into the bushes. When he retrieves it, he is shocked to find that it belongs to his son.

At the same time, a landslide occurs at the location where the body was disposed of. During the rescue operation, the body is discovered by the rescue team. It is quickly identified as Benz’s son.

George and Benny concoct a false story, claiming that Benz was behind the murder. They accuse the siblings of having an incestuous relationship, suggesting that Benz killed his son because of it. To back up their fabricated story, the police violently beat both Lalitha and her daughter in an attempt to force them to confess to these false allegations.

Meanwhile, Benz kidnaps the police officer who was present when he, George, and Benny disposed of the body. The officer claims he had no knowledge of the murder and was only asked to guide them through the jungle. Benz is eventually captured by the police, but George, with the help of Benny and officers from the armed reserve camp, plans to have Benz killed. The plot fails, and Benz manages to kill Benny and escape from the police.

As George persistently torments Benz’s family in an attempt to capture him, Benz reaches out to George. He tells George to come to his house, where his daughter, Mary, is home alone. When they meet, a struggle ensues, resulting in Benz killing George. Mary witnesses the entire ordeal.

Later, Mary visits Lalitha and her daughter during Pavi’s funeral. As the story reaches its conclusion, Benz is shown being escorted to court in handcuffs. Outside the courthouse, Mary stands with Benz’s family, fulfilling the promise Pavi made earlier, Mary is now considered part of Benz’s family. A reporter approaches Benz, asking if he killed his son. Benz answers truthfully.

 



Kamal Haasan old script is Thug Life - Treatment Mani style / Thudarm costly mistake


After the story of Thug Life has been revealed, we come to know that actually the story and script was written by Kamal Haasan almost two decades back. After Mani Ratnam read this, he decided to go further and both of them together co- wrote close 20% of the screenplay.

The film line looks close to Chekka Chivantha Vaanam. ( CVV). The story of that film is about an aged Don who finds out that one of his 3 sons was the one who attacked him. Between all of this, the concept of it is how the brothers fight among each other, and how a 4th man, an apparent dishonest police officer, comes into play, and how everything was his sketched plan to eliminate the whole family. In CVV there was so many distractions that the core plot got lost. In Thug Life the father- son conflict is just one dimension of the subject. The bound script of what is now called Thug Life was finished over 40 years ago. Kamal Haasan and Mani Ratnam were supposed to collaborate in 2002 for a film based on the Rashomon Effect. But the collaboration didn’t materialize, and the concept later developed to become Virumaandi in 2004.

The treatment to gangsterism in Thug Life will be different from his films - ThalapathiCCV, and even Raavanan. It moves away from the style of grand songs- action and drama added to it. The film will cover the heated drama between the gangster family and will also cover the dirty politics of the outside world. There are many surprising things in this film, one of them is how responsibly and genuinely they have crafted the Father and Son bond, which has been very well done by Kamal and Simb

Thudarum makers who played down the publicity of the film did a blunder by not reeleasing the Tamil version of it at the same time. The reviews for the film with subtitles is good. Given that in Kerala the film collected Rs 28 crores in 3 days, the Tamil print would have taken it to Rs 100 cr club. The Telugu version is doing very well.



In the first three days, Thudarum earned Rs 28 crore gross in India, out of which it collected Rs 20 crore gross in Kerala. The film earned Rs 40 crore from the overseas collections, taking the worldwide gross collections to Rs 68 crore. This means that the Mohanlal-starrer has scored the second biggest opening weekend in Malayalam cinema, overtaking Prithviraj Sukumaran-starrer Aadujeevitham, that earned Rs 64.85 crore in its four-day opening weekend in 2024


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